Linnn

Linnn https://linnn.net Linnn Mon, 01 May 2023 13:13:16 +0000 https://linnn.net en Home https://linnn.net/Home Mon, 01 May 2023 13:13:13 +0000 Linnn https://linnn.net/Home 2021-2023 LAPSE https://linnn.net/LAPSE Mon, 01 May 2023 13:13:13 +0000 Linnn https://linnn.net/LAPSE LAPSE  lapse means the passage of time. In this series of works, long shots are taken to capture the passing of pedestrians at different times in the same place. I wanted to use a montage to show the passage of time, how time flows, how people pass through the same shared space at different times and meet each other through a montage of stitching. Find more ︎︎︎ 2023  <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/9d90ea7eb6b1f03b547353c269bc36653f4b750c24e5500841cceca36643ff81/K64A7987.jpg" data-mid="177349889" border="0" src="https://freight.cargo.site/w/1000/i/9d90ea7eb6b1f03b547353c269bc36653f4b750c24e5500841cceca36643ff81/K64A7987.jpg" /> Chindougu https://linnn.net/Chindougu Mon, 01 May 2023 13:13:14 +0000 Linnn https://linnn.net/Chindougu <img width="7016" height="9933" width_o="7016" height_o="9933" data-src="https://freight.cargo.site/t/original/i/23182bb3984a1dc5b8a56b5a3254783cfab7d47aa4666ef046053b95e3a02d3d/major-print1-1.jpg" data-mid="193246768" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/23182bb3984a1dc5b8a56b5a3254783cfab7d47aa4666ef046053b95e3a02d3d/major-print1-1.jpg" /> Chindougu   The core idea of this project is to transform everyday objects and scenes into quirky, hilarious scenarios. In life, the everyday things we buy always have their uses and purposes, such as chopsticks for eating, pens for writing, umbrellas for blocking the rain and so on. However, I want to contrast with pragmatism by using some creative things that have no practical use in my photography. Through the absurd and unconventional settings, it shows the pursuit of ideas and creativity of people and finding happiness in the unconventional. I hope to create a series of works that blend art and humour, turning the mundane into an imaginative canvas. Creating a visual narrative that celebrates the beauty of the grotesque while providing a light-hearted critique of social norms. It is hoped that the photographs will evoke a range of emotions in the viewer - from laughter and amusement to introspection and contemplation, it is possible to not take life too seriously and to find joy in the most unlikely places. Find more ︎︎︎ 2023 Serpents and Skulls https://linnn.net/Serpents-and-Skulls Mon, 01 May 2023 13:13:15 +0000 Linnn https://linnn.net/Serpents-and-Skulls Ian Hamilton Finlay SERPENTS AND SKULLS <img width="1228" height="1115" width_o="1228" height_o="1115" data-src="https://freight.cargo.site/t/original/i/812bd4410de2a9d44f33b5cc7f6ba2a93969ef915acde94875291067d46ba034/OBS-Art-Graphic-GGXG123213.jpg" data-mid="177263502" border="0" src="https://freight.cargo.site/w/1000/i/812bd4410de2a9d44f33b5cc7f6ba2a93969ef915acde94875291067d46ba034/OBS-Art-Graphic-GGXG123213.jpg" /> Zephyr INS 61975–6 <img width="1228" height="1115" width_o="1228" height_o="1115" data-src="https://freight.cargo.site/t/original/i/104920e732507b46e2849143273154336b6bb36f8d1e70e189823026c1210794/c.jpg" data-mid="177263503" border="0" src="https://freight.cargo.site/w/1000/i/104920e732507b46e2849143273154336b6bb36f8d1e70e189823026c1210794/c.jpg" /> Shepherd Lad KY 2161975–6 Franz Brentano The objects of sensory experience are deceptive ... We have no right ... to believe that the objects of so-called external perception really exist as they appear to us. Indeed, they demonstrably do not exist outside of us. In contrast to that which really and truly exists, they are mere phenomena. William Carlos Williams This is the trap — either what we seek is within the bounds of the understanding or beyond it. If outside it does not exist for us, much less for our imagination; if inside it is bounded by that and must be so deﬁned before it can be conceived — this precedes all further progress. The Embodiment of Knowledge <img width="1179" height="1536" width_o="1179" height_o="1536" data-src="https://freight.cargo.site/t/original/i/17029b49433a74689e694af3b7f0544cc9738d702668764339957a0741d0278b/P77477_10.jpg" data-mid="177263504" border="0" src="https://freight.cargo.site/w/1000/i/17029b49433a74689e694af3b7f0544cc9738d702668764339957a0741d0278b/P77477_10.jpg" /> Laconic, 1987 <img width="1474" height="1042" width_o="1474" height_o="1042" data-src="https://freight.cargo.site/t/original/i/e967802649c2330d5cd8a7c3c6c35ac393508d03c8505ca1e78c95acd3e80de0/TGA-20012-45-1_10.jpg" data-mid="177263505" border="0" src="https://freight.cargo.site/w/1000/i/e967802649c2330d5cd8a7c3c6c35ac393508d03c8505ca1e78c95acd3e80de0/TGA-20012-45-1_10.jpg" /> Sail/Waves 1 — postcard design <img width="1418" height="993" width_o="1418" height_o="993" data-src="https://freight.cargo.site/t/original/i/424ede73299639de9fa5f81d13c3204a65edcb37359cac71d40f1634f9573436/c3.jpg" data-mid="177263506" border="0" src="https://freight.cargo.site/w/1000/i/424ede73299639de9fa5f81d13c3204a65edcb37359cac71d40f1634f9573436/c3.jpg" /> Let Perish the Money Tyrants 1982 <img width="1418" height="996" width_o="1418" height_o="996" data-src="https://freight.cargo.site/t/original/i/c7753a8d4f28ac0cf8e7162ceaf94e751d68435b6acaec882c62a1536e06ecee/c2.jpg" data-mid="177263507" border="0" src="https://freight.cargo.site/w/1000/i/c7753a8d4f28ac0cf8e7162ceaf94e751d68435b6acaec882c62a1536e06ecee/c2.jpg" /> Peace to the Cottages — War to the Arts Council 1982 ︎ I know noble accents And lucid, inescapable rhythms; But I know, too, That the blackbird is involved In what I know. Wallace Stevens Thirteen Ways of Looking at a Blackbird In the Labyrinth https://linnn.net/In-the-Labyrinth Mon, 01 May 2023 13:13:16 +0000 Linnn https://linnn.net/In-the-Labyrinth IN THELABYRINTH The four hands are lying in a row, motionless. The space between A…’s left hand and Franck’s right hand is approximately two inches. The shrill cry of some nocturnal carnivore, sharp and short, echoes again toward the bottom of the valley, at an unspecified distance. ︎︎ A… has gone to get the glasses, the soda water, and the cognac herself. She sets a tray with the two bottles and three big glasses down on the table. Having uncorked the cognac she turns toward Franck and looks at him, while she begins making his drink. <img width="2292" height="3000" width_o="2292" height_o="3000" data-src="https://freight.cargo.site/t/original/i/08a6a8461ee234c62e54c73ff96982d8f4a29ce8d35fe106950870834f27e711/4.jpg" data-mid="177263509" border="0" src="https://freight.cargo.site/w/1000/i/08a6a8461ee234c62e54c73ff96982d8f4a29ce8d35fe106950870834f27e711/4.jpg" /> <img width="790" height="1000" width_o="790" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b0039c07c2d54e1060e444bd9aa9e76cdbf9abe268ee98b2bdc338c638379ce8/bl5.jpg" data-mid="177263513" border="0" src="https://freight.cargo.site/w/790/i/b0039c07c2d54e1060e444bd9aa9e76cdbf9abe268ee98b2bdc338c638379ce8/bl5.jpg" /> <img width="2290" height="3000" width_o="2290" height_o="3000" data-src="https://freight.cargo.site/t/original/i/bdf9f255b1611a4e981c947eb7ee114ce8fc81177d2b4b673a462285ebeeae0f/5.jpg" data-mid="177263510" border="0" src="https://freight.cargo.site/w/1000/i/bdf9f255b1611a4e981c947eb7ee114ce8fc81177d2b4b673a462285ebeeae0f/5.jpg" /> Now the shadow of the column — the column which supports the southwest corner of the roof — divides the corresponding corner of the veranda into two equal parts. This veranda is a wide, covered gallery surrounding the house on three sides. Since its width is the same for the central portion as for the sides, the line of shadow cast by the column extends precisely to the corner of the house; but it stops there, for only the veranda flagstones are reached by the sun, which is still too high in the sky. The wooden walls of the house — that is, its front and west gable-end — are still protected from the sun by the roof (common to the house proper and the terrace). So at this moment the shadow of the outer edge of the roof coincides exactly with the right angle formed by the terrace and the two vertical surfaces of the corner of the house. Now A... has come into the bedroom by the inside door opening onto the central hallway. She does not look at the wide open window through which — from the door —  she would see this corner of the terrace. Now she has turned back toward the door to close it behind her. She still has on the light-colored, close-fitting dress with the high collar that she was wearing at lunch when Christiane reminded her again that loose-fitting clothes make the heat easier to bear. But A... merely smiled: she never suffered from the heat, she had known much worse climates than this — in Africa, for instance — and had always felt fine there. Besides, she doesn’t feel the cold either. Wherever she is, she keeps quite comfortable.  <img width="1407" height="1927" width_o="1407" height_o="1927" data-src="https://freight.cargo.site/t/original/i/3ddb14931a69ac5dc7fbce2523f83dc2f1003ac6e526efb6188f231fec303a84/1.jpg" data-mid="177263508" border="0" src="https://freight.cargo.site/w/1000/i/3ddb14931a69ac5dc7fbce2523f83dc2f1003ac6e526efb6188f231fec303a84/1.jpg" /> Bernd and Hilla Becher <img width="736" height="1008" width_o="736" height_o="1008" data-src="https://freight.cargo.site/t/original/i/a7e05c1870e780d32c7a5e2aa046ee992a327333b4d0ce99ee98dd6447b05652/c.jpg" data-mid="177263514" border="0" src="https://freight.cargo.site/w/736/i/a7e05c1870e780d32c7a5e2aa046ee992a327333b4d0ce99ee98dd6447b05652/c.jpg" /> Karl Blossfeldt  Page Nav https://linnn.net/Page-Nav Mon, 01 May 2023 13:13:16 +0000 Linnn https://linnn.net/Page-Nav ︎ IndexNext ︎